Serge Lutens Cedre and Bois Oriental


Cèdre, another new scent from Serge Lutens, this time from the export line, is a tribute to his favorite tree, cedar. Cedar is the note on which Lutens based most of his Les Eaux Boisées from the non-export line (Bois Oriental, Bois et Fruits, Bois et Musc, Bois de Violette). The description on Senteurs d'Ailleurs site, which, I assume, quotes Serge Lutens himself, portraits Cèdre as a “wildcat” that “glides along, cautious and rhythmic with supple, velvety steps of steel. The forest watches… A heavy, restless silence, a tense moment, similar to those preceding the jury’s verdict to condemn the accused, guilty or even innocent… The embrace of life, the grip of death…once decided, it will bring peace. Time holds its breath…A rich, woody, animalistic, soft fragrance… harmonizes in full splendor with arrogant tuberose. A strong musk blended with amber, cloves and cinnamon adds the final touch to the regalia. An irrevocable verdict for this essential, profoundly original fragrance…"

Official perfume descriptions are notoriously prone to exaggeration and over-dramatization. Having said that, the description of Cèdre is one of the most over the top marketing endeavours I have ever read. Cèdre of that description is practically nothing like Cèdre on my skin. On my skin, it is very pleasant. There, I just used the word Lutens would probably absolutely hate in relation to his perfumes. Yet that’s what it is. Sweet-ish woods, lovely almost imperceptible tuberose, a tiny dash of cinnamon. Every note is understated, muted, almost demure. Rich and animalistic? Absolutely not. Soft? Definitely. Also, I must say, rather unremarkable. Cèdre is one of those neutral, elegant, “politically correct” scents that are appropriate anywhere, anytime. Désolé, Monsieur Lutens, I know you would have hated every single word of this review.
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